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News
News 2006 - 2010
News 2011 - 2015
News 2016 - 2020
News 2021 - 2025
Paintings
Studios
Self-Portraits
Studies
Still Lifes 1
Still Lifes 2
Still Lifes 3
Still Lifes 4
Nudes
Landscapes 1
Landscapes 2
Portraits 1
Portraits 2
Portraits 3
Portraits 4
Genre Scenes 1
Genre Scenes 2
Testimonials 1
Testimonials 2
Drawings
Drawing books
Testimonials drawings
War drawings / Buchenwald
Suburbs drawings
Other drawings
Cements/tapestries
Engraved cements
Tapestries
Writings
Presentation of writings
The book « Tu parles!... »
The book « Tambour battant »
Newspaper articles
Texts published in the annals n°8 of the Society of the friends of Louis Aragon and Elsa Triolet
Texts published in the annals n°11 of the Society of the friends of Louis Aragon and Elsa Triolet
Museums/public coll.
National Modern Art Museum (NMAM), Centre Pompidou, Paris
La Contemporaine, Nanterre
Museum of Contemporary History BDIC Hôtel national des Invalides, Paris
Museum of modern art of the city of Paris (MAM), Paris
Musée du quai Branly - Jacques Chirac, Paris
Tate Modern, London
The Pushkin State Museum of Fine Arts, Moscow
National Museum in Warsaw
Art Museum of the World Holocaust Remembrance Center Yad Vashem, Jerusalem
Museum of National Resistance, Champigny-sur-Marne, France
National Museum of the History of Immigration (CNHI), Paris
Thirties' Museum, Boulogne, France
Museum of Living History, Montreuil, France
Musée de l'Armée, Paris
Fine Arts Museum, Rouen, France
European and Mediterranean Civilizations Museum, Marseille, France
Archaeological and Local History Museum of Denain, France
Art and History Museum of Saint-Denis, France
Maison (House) Elsa Triolet-Aragon, Saint-Arnoult-en-Yvelines, France
Saint-Ouen Castle, France
MAC VAL, Contemporary Art Museum of Val-de-Marne, France
mahJ, Museum of Judaic art and history, Paris
Giacometti Foundation, Paris
Buchenwald Memorial, Weimar, Germany
Municipal Fund for Contemporary Art of La Courneuve Town Hall, France
Municipal Fund for Contemporary Art of Ivry-sur-Seine Town Hall, France
Municipal Fund for Contemporary Art of Gennevilliers Town Hall, France
Municipal Fund for Contemporary Art of Drancy Town Hall, France
Municipal Fund for Contemporary Art of Stains Town Hall, France
Municipal Fund for Contemporary Art of Épinay-sur-Seine Town Hall, France
Municipal Fund for Contemporary Art of Bobigny Town Hall, France
Municipal Fund for Contemporary Art of Saint-Ouen Town Hall, France
The Dom Robert & 20th century tapestry Museum
The National Museum of Fine Arts of Algiers
The Hungarian National Gallery, Budapest
Musée La Piscine, Roubaix
Museum of the Island of Oléron
Exhibitions
Exhibitions 1937 - 2004
Exhibitions 2006 - 2018
Exhibitions 2019 - 2021
Exhibition ROUBAIX 2022
Critical Reception
Newspaper Articles 1930 - 1969
Newspaper Articles 1970 - 2004
Newspaper Articles 2005 - 2015
Newspaper Articles 2016 - 2025
Texts published in the annals of the Society of the friends of Louis Aragon and Elsa Triolet
Tribute to Boris Taslitzky by Maurice Kriegel-Valrimont, on March 7, 1997
Movies/videos
"The Boris' Studio" by Christophe Cognet
Inauguration ceremony of the new Boris Taslitzky Studio, Montrouge 7th April 2013
ENSAD, Workshop/meetings, 27th March 1997
Boris Taslitzky - Lost Frescoes, Living Memory
Biography
Biographical elements : 1911-1928
Biographical elements : 1929-1938
Biographical elements : 1939-1945
Biographical elements : 1946-1950
Biographical elements : 1951-1960
Biographical elements : 1961-1979
Biographical elements : 1980-2005
Testimonials
Boris Taslitzky portraits by other artists
Others drawings
Animals
Portraits
Preparatory Studies
Genre Scenes
Nudes
Landscapes
GALLERY
LIST OF THE ARTWORKS
STUDY FOR FAIR, squaring, undated, unsigned, ink and gouache on paper, 17,4 x 3,3 in
STUDY FOR FAIR, squaring
undated, unsigned
ink and gouache on paper
17,4 x 3,3 in
STUDY FOR THE IVRY CHILDREN, 1937, gouache, 22 x 17,7 in
STUDY FOR THE IVRY CHILDREN
1937
gouache
22 x 17,7 in
STUDY FOR « THE WEIGHING AT RIOM » - 2 -, undated, unsigned, black ink, 9,1 x 7,1 in
STUDY FOR « THE WEIGHING AT RIOM » - 2 -
undated, unsigned
black ink
9,1 x 7,1 in
LIGHTHOUSE GUARDIANS (STUDY FOR « THE FISHERS' LUNCH », 1947, ink, 8,4 x 7,2 in
LIGHTHOUSE GUARDIANS (STUDY FOR « THE FISHERS' LUNCH »
1947
ink
8,4 x 7,2 in
STUDY FOR « THE FISHERS' LUNCH », 1947, ink, 19,7 x 25,6 in
STUDY FOR « THE FISHERS' LUNCH »
1947
ink
19,7 x 25,6 in
STUDY FOR THE PIT-HEAD OF THE MINE –1 LEFT-, 1947, ink and gouache, 19,7 x 25,6 in
STUDY FOR THE PIT-HEAD OF THE MINE –1 LEFT-
1947
ink and gouache
19,7 x 25,6 in
STUDY FOR THE PIT-HEAD OF THE MINE –2 CENTER-, 1947, ink and gouache, 19,7 x 25,6 in
STUDY FOR THE PIT-HEAD OF THE MINE –2 CENTER-
1947
ink and gouache
19,7 x 25,6 in
STUDY FOR THE PIT-HEAD OF THE MINE –3 RIGHT-, 1947, ink and gouache, 19,7 x 25,6 in
STUDY FOR THE PIT-HEAD OF THE MINE –3 RIGHT-
1947
ink and gouache
19,7 x 25,6 in
STUDY WITH SQUARING FOR THE DELEGATES, 1948, pencil on tracing paper, 6,6 x 8,9 in
STUDY WITH SQUARING FOR THE DELEGATES
1948
pencil on tracing paper
6,6 x 8,9 in
STUDY FOR THE ELECTRIC FURNACE, 1949, wash, 14,6 x 16,9 in
STUDY FOR THE ELECTRIC FURNACE
1949
wash
14,6 x 16,9 in
STUDY FOR THE ELECTRIC FURNACE, 1949, gouache, 16,9 x 20,5 in
STUDY FOR THE ELECTRIC FURNACE
1949
gouache
16,9 x 20,5 in
STUDIO, 1949, ink, 21,3 x 18,3 in
STUDIO
1949
ink
21,3 x 18,3 in
STUDY FOR THE DEATH OF DANIELLE CASANOVA I, 1949, ink on tracing paper, 18,8 x 29,4 in
STUDY FOR THE DEATH OF DANIELLE CASANOVA I
1949
ink on tracing paper
18,8 x 29,4 in
STUDY FOR THE DEATH OF DANIELLE CASANOVA II, 1949, ink and oil on tracing paper, 9,4 x 7 in
STUDY FOR THE DEATH OF DANIELLE CASANOVA II
1949
ink and oil on tracing paper
9,4 x 7 in
STUDY FOR THE DEATH OF DANIELLE CASANOVA, 1950, ink on tracing paper, 9,4 x 7 in
STUDY FOR THE DEATH OF DANIELLE CASANOVA
1950
ink on tracing paper
9,4 x 7 in
PREPARATORY STUDY FOR RIPOSTE, 1951, pencil and wash, 25,6 x 19,7 in
PREPARATORY STUDY FOR RIPOSTE
1951
pencil and wash
25,6 x 19,7 in
STUDY FOR RIPOSTE -5-, 1951, Ink and gouache, 12,8 x 19,6 in
STUDY FOR RIPOSTE -5-
1951
Ink and gouache
12,8 x 19,6 in
STUDY FOR THE RIPOSTE -9-, undated (1951), charcoal on tracing paper, 11,7 x 15,4 in
STUDY FOR THE RIPOSTE -9-
undated (1951)
charcoal on tracing paper
11,7 x 15,4 in
STUDY FOR THE ORANS' WOMEN -1-, 1952, pencil and wash, 15,2 x 11 in
STUDY FOR THE ORANS' WOMEN -1-
1952
pencil and wash
15,2 x 11 in
PREPARATORY STUDY FOR MEDECINE, undated, wash, 5,9 x 21,7 in
PREPARATORY STUDY FOR MEDECINE
undated
wash
5,9 x 21,7 in
TIME, ANATOMY LESSON, undated, unsigned, ink and gouache on tracing paper, 14,2 x 25,6 in
TIME, ANATOMY LESSON
undated, unsigned
ink and gouache on tracing paper
14,2 x 25,6 in
TIME, THE ANATOMY LESSON, (4 FRAGMENTS), undated, ink and watercolour, 8,3 x 22,8 in
TIME, THE ANATOMY LESSON, (4 FRAGMENTS)
undated
ink and watercolour
8,3 x 22,8 in
STUDY FOR ALLEGORICAL PANEL –1-, undated, unsigned, pencil and ink on paper, 11,7 x 8,3 in
STUDY FOR ALLEGORICAL PANEL –1-
undated, unsigned
pencil and ink on paper
11,7 x 8,3 in
STUDY FOR THE GOOD SAMARITAN, undated, unsigned, colored pencils, 25,9 x 19,8 in
STUDY FOR THE GOOD SAMARITAN
undated, unsigned
colored pencils
25,9 x 19,8 in
ABOUT THE THEME « THE SAMARITANS », 1962, pencil, 8,1 x 10,6 in
ABOUT THE THEME « THE SAMARITANS »
1962
pencil
8,1 x 10,6 in
STUDY FOR BEZONS' SCHOOL –17-, undated (1965), unsigned, pencil and gouache, 11,1 x 25,9 in
STUDY FOR BEZONS' SCHOOL –17-
undated (1965), unsigned
pencil and gouache
11,1 x 25,9 in
STUDY (TRANSPORT OF A WOUNDED MAN) (RECTO), 25th November 1966, unsigned, pencil, 7,9 x 6,7 in
STUDY (TRANSPORT OF A WOUNDED MAN) (RECTO)
25th November 1966, unsigned
pencil
7,9 x 6,7 in
PREPARATORY STUDY FOR ENGRAVED CONCRETE (BAGNOLET), undated, ink and watercolour, 13 x 25,2 in
PREPARATORY STUDY FOR ENGRAVED CONCRETE (BAGNOLET)
undated
ink and watercolour
13 x 25,2 in
BIRDS STUDY FOR ENGRAVED CONCRETE -17-, undated, pencil, 8,3 x 11,7 in
BIRDS STUDY FOR ENGRAVED CONCRETE -17-
undated
pencil
8,3 x 11,7 in
BRAWL (STUDY WITH SQUARING), 14th April 1969, ink and watercolour, 17,7 x 22 in
BRAWL (STUDY WITH SQUARING)
14th April 1969
ink and watercolour
17,7 x 22 in
STUDY FOR CHILE -1-, 1974, wash, 8,3 x 11,7 in
STUDY FOR CHILE -1-
1974
wash
8,3 x 11,7 in
STUDY FOR BUCHENWALD INSURRECTION, 1981, ink, 11,6 x 15,7 in
STUDY FOR BUCHENWALD INSURRECTION
1981
ink
11,6 x 15,7 in
EXODUS, STUDY, 1986, charcoal, 22 x 17,7 in
EXODUS, STUDY
20 mai 1986
charcoal
22 x 17,7 in
EXODUS, STUDY, undated, unsigned, charcoal, 22 x 17,7 in
EXODUS, STUDY
undated, unsigned
charcoal
22 x 17,7 in
EXODUS, STUDY, 20th May 1986, unsigned, charcoal, 22 x 17,7 in
EXODUS
20th May 1986, unsigned
charcoal
22 x 17,7 in
STUDY FOR SOUTH AFRICA, 1987, charcoal and gouache on paper, 20,3 x 25,2 in
STUDY FOR SOUTH AFRICA
1987
charcoal and gouache on paper
20,3 x 25,2 in
ZAÏRE, KILLING -2-, 1997, pencil on paper, 19,7 x 25,6 in
ZAÏRE, KILLING -2-
1997
pencil on paper
19,7 x 25,6 in
NAKED BODIES STUDY FOR « THE FALL », 1999, pencil on paper, 19,7 x 25,6 in
NAKED BODIES STUDY FOR « THE FALL »
1999
pencil on paper
19,7 x 25,6 in
FALLING BODIES, 11th October 2001, charcoal, 19,7 x 25,6 in
FALLING BODIES
11th October 2001
charcoal
19,7 x 25,6 in